Cute little Dipanwita Kundu in Dance Bangla Dance Junior
written by Unknown
at Sunday, October 31, 2010
You have missed something if you have not watched Dipanwita Kundu in "Dance Bangla Dance Junior".
Forget evrything DADAGIRI is the best entertaining Program
written by Unknown
at Saturday, October 30, 2010
He was the aggressive captain with the shirt-stripping victory dance. But as quiz master on a Bengali channel, Sourav Ganguly is short on gimmicks, big on smiles. He appears to have mellowed down. “You can almost call me docile,” he says.
Shubhajit haldar is a surprisingly patient 11-year-old. He turns up on a quiz show set right after school and quietly stands in a corner, cradling his cricketing helmet and pad, careful not to run into the TV crew gone berserk at the Howrah Indoor Stadium auditorium. As the producer rushes him backstage, you wonder if he is an exception to the PlayStation generation
http://www.indianexpress.com/news/dada-has-a-question/704906/0
Raktha charitra movie review
written by Unknown
at Thursday, October 21, 2010
rakta charitra movie review, rakta charitra, rakht charitra, raktha charitra, rakta charitra release date
Tumi na thakle-Bong Connection
written by Unknown
at Tuesday, October 19, 2010
tumi na thakle amchi mumbai tumi na thakle kolkata chere kobe tata bye bye tumi na thale bonolota sen shokal shondhe daktar lane e kapor kachto rapa rap pappa, ong bong chong tumi natahkle debdas kobe hoye jeto khuri ram tumi na thakle shudhu dan dik thaktona kono bam dhormo tolai lege jeto roj dhormer judhdho tumi na thakle bechto biri gowtom budhdho Tumi na thakle Rabindranath kali'r dowat Mathai thuke hoto kupokaat. rapa rap pappa, ong bong chong
mashfiqbeg 3 months ago mashfiqbeg
3 months ago tumi acho bole cicily te ache suchitra uttom
aj bagdad kaal babylon e tomar sommelon
tumi na thakle sukumar rai lungi pore gamcha golai khobor porto
rapa rap pappa, ong bong chong
tumi na thakle suman er naam hoye jeto nochiketa
tumi ashbe bolei likhto na keo tomar moner kotha
tumi na thakle kobitar mane hoye jeto kirton
tumi na thakle sunil shokti hoye jeto sonaton
tumi na thakle usha uththup ochinei theke jeto
gaito na gaan parai parai tomar mone moto
mashfiqbeg 3 months ago mashfiqbeg
3 months ago Tumi na thakle shoklat eto mishti hotona
tumi na thakle megh kore jeto brihti hotona
tumi acho bole mon koshakoshi kore hasha hashi naak ghosahghosi
rapa rap pappa, ong bong chong
tumi na thakle gorer math ta mathei mara jeto
tumi na thakle goriya haat ta guatemalar moto
tumi na thakle gaito na gaan gupi baghar dol
mohon bagan kobe hoye jeto shudhu east bengal
tumi acho bole texus e boshe topse macher fry
New jersy te tomar garite hotath tomake chai
Mushkil hai bahut - an immortal song by Lata from 1950
written by Unknown
Lataji sang this and other Mahal classics at age 20. She achieved perfection that early and has stayed at the summit ever since.
Tanha Dil by Shan
written by Unknown
at Monday, October 18, 2010
| This feature is powered by Dishant.com - Home of Indian Music |
Aankhon mein sapne liye
Ghar se hum chal toh diye
Jaane yeh raahe abb le jaayengi kahaan
Mitti ki khushbu aaye
Palkon pe aansu laaye
Palkon pe reh jaayega yaadon ka jahaan
Manzil nayi hain
Anjaana hai kaarava
Chalna akele hai yahaan
[Tanha dil, tanha safar
Dhonde tujhe phir kyun nazar] 2
Tanha dil
Dilkash nazaare dekhe
Jhilmil sitaare dekhe
Aankhon mein phir bhi tera chehra hai jawaan
Kitni barsaate aayi
Kitni saugaate laayi
Kaano mein phir bhi gunje teri hi sada
Waade kiye the, apana hoga aashiyaan
Waado ka jaane hoga kya
[Tanha dil, tanha safar
Dhonde tujhe phir kyun nazar] 2
Tanha dil 2
Aankhon mein sapne liye
Ghar se hum chal toh diye
Jaane yeh raahe abb le jaayengi kahaan
Mitti ki khushbu aaye
Palkon pe aansu laaye
Palkon pe reh jaayega yaadon ka jahaan
Manzil nayi hain
Anjaana hai kaarava
Chalna akele hai yahaan
[Tanha dil, tanha safar
dhunde tujhe phir kyun nazar] 2
Tanha dil 2 Read More...
A ghazal by Meena Kumari in her own voice
written by Unknown
tukre tukre din biitaa, dhajjii dhajjii raat milii
jiskaa jitnaa aaNchal thaa, utnii hii saugaat milii
jab chaahaa dil ko samjheN, hansne kii aavaaz sunii
jaise ko'ii kahtaa ho, le phir tujh ko maat milii
maateN kaisii, ghaateN kyaa, chalte rahnaa aaTh pahar
dil saa saathii jab paayaa, be-chainii bhii saath milii
Tujhe Bhula Diya - listen the amazing song
written by Unknown
at Friday, October 15, 2010
Tujhe Bhula Diya ( Lyrics )
Movie : Anjaana Anjaani
Music Director : Vishal-Shekhar
Singer(s) :Mohit Chauhan,Shekhar Ravjiani,Shurti Pathak
Lyricists :Kumar-Vishal Dadlani
Naina Laggeyan Baarsihan
Tu sukke sukke sapne vi pijj gaye
Naina Laggeyan Baarsihan
Rove palkan de Kone vich neend meri
Naina Laggeyan Baarsihan
Hanju digde ne chot lage dil te
Naina Laggeyan Baarsihan
Rut birha de badlan di chhaa gayi
Kaali kaali khaali raaton se
Hone lagi hai dosti
khoya khoya in raahon mein
Ab mera kuch bhi nahi
Har pal her lamha, main kaise sehta hoon
Har pal her lamha main khud se yeh kehta rehta hoon
Tujhe bhula diya, oh,
Tujhe bhula diya, oh
Tujhe bhula diya, oh
Phir kyun teri yaadon ne
Mujhe rula diya.. oh
Mujhe rula diya .
Teri yaadon mein likhte jo lafz dete hai sunaai
beete lamhe poochhte hain kyun hue aise juda.. khuda,
Khuda mila jo yeh faisla hain
Khuda tera hi yeh faisla hain
Khuda hona tha woh ho gaya
Jo tune thha likha
Tujhe bhula diya, oh,
Tujhe bhula diya, oh
Tujhe bhula diya, oh
Phir kyun teri yaadon ne
Mujhe rula diya..
Mujhe rula diya .
Naina Laggeyan Baarsihan
Tu sukke sukke sapne vi pijj gaye
Naina Laggeyan Baarsihan
Rut birha de badlan di chhaa gay
Naina Laggeyan Baarsihan
Tu sukke sukke sapne vi pijj gaye
Naina Laggeyan Baarsihan
Rut birha de badlan di chhaa gay
Dol pal tujh se juda thha,
Aise phir rasta muda thha,
Tujh se main khone laga,
Juda jaise hone laga,
Mujh se kuch mera
Tu hi mera liye abb kr dua,
Tu hi is dard se kar de juda,
Tera hoke tera jo main na raha,
Main yeh khud se kehta hoon,
Tujhe bhula diya, oh,
Tujhe bhula diya, oh
Tujhe bhula diya, oh
Phir kyun teri yaadon ne
Mujhe rula diya.
Guantanamera- the favourite of millions worldwide
written by Unknown
at Wednesday, October 13, 2010
Spanish language English language
Yo soy un hombre sincero
De donde crece la palma
Y antes de morirme quiero
Echar mis versos del alma
Guantanamera, guajira, Guantanamera
I am an honest man
From where the palm tree grows
And before dying I want
To share the verses of my soul.
Mi verso es de un verde claro
Y de un carmín encendido
Mi verso es de un ciervo herido
Que busca en el monte amparo
Guantanamera, guajira, Guantanamera
My verse is a clear(light) green
And it is flaming crimson
My verse is that of a wounded deer(servant, slave)
Who seeks refuge in the woods.
This third verse of "Versos Sencillos" is usually not part of the song
Cultivo una rosa blanca
En julio como en enero
Para el amigo sincero
Que me da su mano franca
Guantanamera, guajira Guantanamera
I cultivate a white rose
In July as in January
For the sincere friend
Who gives me his honest hand.
Y para el cruel que me arranca
El corazón con que vivo
Cardo ni ortiga cultivo
Cultivo la rosa blanca
Guantanamera, guajira Guantanamera
And for the cruel one who would tear out
the heart with which I live
I cultivate not nettles nor thistles
I cultivate the white rose
Final verse of song, as published:
Con los pobres de la tierra
Quiero yo mi suerte echar
El arroyo de la sierra
Me complace más que el mar
Guantanamera, guajira Guantanamera
With the poor people of the earth
I want to cast my luck
The brook of the mountains
Pleases me more than the sea
Endhiran Movie - why you should not miss it
written by Unknown
at Saturday, October 9, 2010
Featured Endhiran Movie Review
by Shashi Krishna
Alfred Lord Tennyson's poem 'The Brook' ends with the words 'For men may come and men may go, But I go on for ever.' This was the first thing I thought of when the end credits rolled on Shankar's latest magnum opus – Endhiran, The Robot. The reason these words seemed extremely apt was because it applied both to the robot on screen and the human – Rajnikanth – off screen. With Endhiran, Rajni has proved as clear as daylight, that he is still a Herculean force to reckon with. Rajni's image as an actor has grown so immense now, considering the colossal height it was at earlier anyway, that he has gone beyond reviews and critique. Nevertheless, despite my dwarfed mortality in the presence of Rajni's divinity, I shall still attempt this one.
With Endhiran, Rajni the actor makes a conscious comeback. There are no lines or superhuman antics here constructed specifically to get wolf calls from the audience. No. The scientist in Dr. Vaseegaran is just a regular guy who is a major robotics geek and despite having a girlfriend who looks like Aishwarya Rai (this time literally of course), the good doctor chooses to spend more time on his first major creation – Chitti, the humanoid and the real reason the audience will go wild in the cinemas.
Chitti pretty much has everything that is human. In a tongue in cheek attempt at capturing the essence of this 'everything', a hilarious exception is mentioned – feelings. Yes, Chitti is devoid of any feelings since he is a machine. Despite the overwhelming wealth of knowledge Chitti has been fed with, if there is one thing he doesn't comprehend then it is those fundamental units that form the rudimentary human pattern that go beyond a DNA model or a genetic theory. Feelings of shame, hurt, anger, lust, love, regret, jealousy, greed – a wide spectrum of colorful modes that Chitti hasn't been introduced to yet. At one point in the movie, having enraged the doctor after making a huge erroneous judgment call, Chitti accuses his creator of being flawed. This, he reasons, is why the logic in his machinery is flawed too. In another brilliant scene when asked if God exists, Chitti shoots back – 'Who is God?'. On being told it is someone who created us, he responds point blank – 'This is Dr. Vaseegaran. He created me. So he is my God.' It is in moments like this that Shankar's brilliance as an individual who recognizes the importance of a human element in a divine spectrum becomes refreshingly apparent.
With things looking this simple – something complicated happens. Chitti falls in love. With whom? Why the good doctor's girl of course! What bigger challenge than to pit Rajni against Rajni, right? A perfect and, quite possibly, penultimate gauntlet that is thrown down masterfully by Shankar in the pit. Wronged, Chitti makes a return in a whole new avatar as Endhiran – the evil robot – in the second half for sweet redemption. And what a return that is! If ever there was a Rajni movie with the most beautifully choreographed special effects in its final hour, it is hands down Endhiran. The ruthless confidence that Chitti/Endhiran brings to the screen lights up the climactic portions. It is here that Rajni the actor gets to bloom in full. The special effects team, as already heralded by millions as being the best, definitely deserves accolades for having converted a beautiful vision into an equally well choreographed outcome. In all my years of watching Indian cinema, I have never seen such amazing display of sequences built solely on mathematical and scientific models. The way Endhiran organizes his army of clones to fight off Vaseegaran's onslaught is certainly a cinematic milestone.
The visuals complement the story as does the music. Rahman gives us a pleasant set of tunes but none that will stay in your memory for long since the movie was, is and will be about Rajni's performance in the dual role. Everything and everyone else is critical but short lived gravy. This includes the leading lady who, as always, thinks she is acting if she rolls her eyes or flicks her brows here and there. For once I'd like Aishwarya to get rid of all the cosmetics and shallow attitude and play a role where she, well, performs! But I guess that's asking for too much. If she wants to play Barbie all the time that's her call. Fortunately, unlike 'Ravan', we don't have anyone else from her family to put up with in this one. So the harm done is minimal. Plus, Rajni's radiance is so bright here that no amount of glossy desktop wallpaper Photoshop effect can make one remember Aishwarya as the end credits roll.
Final word – go watch Endhiran. If there ever was an Indian movie that will be looked at as the perfect way to juxtapose today's ever changing technology against the carnal and still rather medieval human factor, Endhiran is that film. A movie that provokes you to answer the question – 'Technology is/was definitely ready for us all the time. But are we really ready for it?'
And as for Rajni? Well, he is just getting started. Endhiran will prove to be the movie where Rajni, much like his character Vaseegaran the scientist, ends up recreating himself in a whole new version (Version 2.0!). There is a lot more yet to come from this 60 year old teenager and I for one eagerly await it all. For actors may come and actors may go, But Rajni shall go on for ever.
http://movies.sulekha.com/tamil/endhiran/default.htm
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